Recent Books (Fiction)

  • Simon Montefiore: Sashenka: A Novel

    Simon Montefiore: Sashenka: A Novel
    Both grim and funny, this historical novel peers into the inner world of an upper class Russian girl turned loyal Bolshevik, highlighting her youthful fling at revolution-making in Petrograd, her fall from grace under Stalin, and an historian's effort, after the end of communism, to ascertain her fate.

  • Charles L. Harness: Cybele, With Bluebonnets

    Charles L. Harness: Cybele, With Bluebonnets
    A touching, understated fantasy featuring Depression era Texas, youthful romance, chemistry, a ghost and love beyond death. (****)

  • Tim Powers: On Stranger Tides

    Tim Powers: On Stranger Tides
    The classic tale of piracy and the supernatural. What the Pirates of the Caribbean movies should have been. (*****)

  • Harry Turtledove: After the Downfall

    Harry Turtledove: After the Downfall
    Magically plucked from Berlin in 1945, a Nazi soldier finds himself in a parallel world that challenges his cultural assumptions. A well delineated picture of conflict between widely disparate civilizations, with a reminder that backwardness is not the same as stupidity. (****)

  • Harry Turtledove: The Man with the Iron Heart

    Harry Turtledove: The Man with the Iron Heart
    Can the U.S. maintain its resolve against a defeated enemy's terrorist campaign? Imagining a post-World War II Nazi insurgency, Harry Turtledove puts this question into a new context. As Reinhard von Heydrich's "werewolves" devastate Germany, war-weary Americans call for withdrawal, regardless of the consequences. (*****)

  • Terry Pratchett: Nation

    Terry Pratchett: Nation
    The first non-Discworld Pratchett in decades has the familiar mix of serious plotting and underlying farce, as an iconoclastic Polynesian lad and a properly raised Victorian lass carry on through tsunami, plague, shipwreck, pigs, pantaloon birds, gods, grandparents and cannibals. A tribute to courage in the face of physical and metaphysical ordeals - and funny, too! (*****)

  • Joe Haldeman: Marsbound

    Joe Haldeman: Marsbound
    Martian colonies are an old subject for SF, and this novel is in some ways an old-fashioned treatment, with the traditional elements of young settler, contact with Martians, and an alien menace. The plot and characters are so well done, however, that the story is fresh. The flavor is Heinleinesque, but the heroine is no Podkayne of Mars. (*****)

  • Neal Stephenson: Anathem

    Neal Stephenson: Anathem
    If you have not a smidgen of interest in how Platonic philosophy relates to the "many worlds" version of quantum mechanics, you still may like this novel, though you'll probably wish that the characters talked less. Persevere. After a slow start, the story grows compelling, and the intellectual dialogues turn out not to be digressions. (*****)

  • Charles Stross: Halting State

    Charles Stross: Halting State
    A bank robbery inside an on-line RPG leads throws a misfit programmer and an introverted forensic accountant into a real life game, international intrigue and each other's arms. May be the first readable novel ever written in the second person singular. 2008 Hugo Award nominee. (****)

  • John Scalzi: The Last Colony

    John Scalzi: The Last Colony
    Space opera in a universe much like a computer game setting. The super-soldiers of Old Man's War and The Ghost Brigades, now retired, find themselves at the focus of a galactic war. Helped by luck, enemy idiocy and aliens ex machina, mankind survives. 2008 Hugo Award nominee. (****)

  • Joe Haldeman: The Accidental Time Machine

    Joe Haldeman: The Accidental Time Machine
    Maybe all the variations on time travel are played out, but Joe Haldeman makes the old tropes enjoyable in this story of a down-on-his-luck grad student who invents a time machine without really trying. The resolution of the ensuing paradoxes comes very near to being credible. (****)

  • Ian McDonald: Brasyl

    Ian McDonald: Brasyl
    Three Brazils - past, present and future - twined together by a multiverse-wide conflict. The heroes are mostly antiheroic, and the milieu is more frenetic than credible, but it's no surprise that this novel is a 2008 Hugo Award nominee. I much preferred River of Gods and the author's other future-India tales. (***)

  • Connie Willis: All Seated on the Ground

    Connie Willis: All Seated on the Ground
    Connie Willis's annual Christmas story; a comedy about alien visitors who act much like annoyed maiden aunts. Making contact is a twin triumph of civility and true love. The story is also a good test of your knowledge of Christmas carols. 2008 Best Novella Hugo Award nominee. (*****)

  • Robert Ferrigno: Sins of the Assassin

    Robert Ferrigno: Sins of the Assassin
    The middle volume of a trilogy about a near-future, Moslem-dominated U.S. Most of the action takes place in the independent "Bible Belt", where resistance to Islamic domination is sometimes heroic and sometimes pathological. More of a pure thriller than its predecessor but good on its own terms (****)

  • Michael Chabon: The Yiddish Policemen's Union

    Michael Chabon: The Yiddish Policemen's Union
    I either mildly like or sharply detest this blend of hard-boiled detective story and alternate history; I'm not sure which. The setting is as grotesque as Gormenghast, the prose is as overwrought as Clark Ashton Smith's, and the hero cop makes Philip Marlowe look like a gentleman. The book oozes atmosphere, but maybe it's a little toxic. 2008 Hugo Award nominee. (***)

  • Mike Resnick: A Club in Montmartre: An Encounter with Henri de Toulouse-Lautrec

    Mike Resnick: A Club in Montmartre: An Encounter with Henri de Toulouse-Lautrec
    Something different from this SF great's facile pen: An historical novel about Toulouse-Lautrec and the creation of his famous Moulin Rouge poster, seen from the point of view of a waif sheltered by the troubled artist. One in a series called Art Encounters, aimed at YA's but instructive and entertaining for anyone. (*****)

  • Connie Willis: D.A.

    Connie Willis: D.A.
    Connie Willis sends up overfamiliar "space academy" stories with this one about the only girl on Earth who has no desire to enroll. Then she is informed that her "application" has been accepted. Is it a weird mistake? A devious plot? Can she get out? Funny, though the moral is rather pat. (*****)

  • Kathleen Ann Goonan: In War Times

    Kathleen Ann Goonan: In War Times
    The author builds this multiple universes story around her father's World War II diary, which is at least as interesting as the energetic, but not wholly coherent, main plot. The ending is a JFK assassination theory with a Ron Paulian(!) twist. Also included is more than I wanted to read about the WWII jazz scene. Overall, a book I would have liked to like better and that others may enjoy vastly. (****)

  • Marie Phillips: Gods Behaving Badly: A Novel

    Marie Phillips: Gods Behaving Badly: A Novel
    Pagan gods lingering, with diminishing powers, into the modern world isn't a new idea, but this tale is a pretty good use of it. The personalities of Artemis, Apollo, Aphrodite et al. are deftly fitted into present day London. The humans in the story, a couple of shy underachievers, are a bit drippy, and the resolution to the gods' difficulties is one that would be highly unpleasant for us mortals. (***)

  • Alfred Duggan: Lord Geoffrey's Fancy

    Alfred Duggan: Lord Geoffrey's Fancy
    Perhaps the finest book of one of England's finest historical novelists. The setting is 13th Century Greece, where Crusaders fought each other and the shattered Byzantine Empire. The history is accurate, the writing graceful and the characters not merely modern people in fancy dress. (*****)

  • Clark Ashton Smith: The White Sybil and Other Stories

    Clark Ashton Smith: The White Sybil and Other Stories
    A slim, representative sampling of Ashton Smith's weird, richly worded fiction. The best pieces are highly readable today; the less good are at least entertaining and will enhance the reader's vocabulary. (****)

  • Robert J. Sawyer: Rollback

    Robert J. Sawyer: Rollback
    Life extension and first contact are the twin themes of Sawyer's latest novel. Intermixed is a good deal of thoughtful, though elementary, philosophical pondering. "Rollback" is a hugely expensive procedure for restoring youth. A benefactor offers it to the world's foremost SETI researcher after an alien culture replies to a message she sent 37 years ago. She will accept the gift only if her husband gets the treatment, too. Then things go wrong. High quality work by a first rate, if slightly didactic, writer. 2008 Hugo Award nominee. (****)

  • Michael Flynn: Eifelheim

    Michael Flynn: Eifelheim
    A double narrative: the appearance of shipwrecked aliens in a 14th Century German village and the 21st Century discovery of the event. The interaction between a brilliant human theologian and rather ordinary denizens of an advanced civilization challenges chronologically based prejudices. 2007 Hugo Award nominee (*****)

  • Vernor Vinge: Rainbows End: A Novel With One Foot In The Future

    Vernor Vinge: Rainbows End: A Novel With One Foot In The Future
    In a near future in which every crank can deploy WMD's that make contemporary Islamofascists look like schoolboys, a poet who has lost his talent and his spunky granddaughter find themselves up against a conspiracy to solve the world's problems by eliminating free will. The careful extrapolation is mixed with some silly ideas and burdened with a sentimental Alzheimer's recovery story. 2007 Hugo Award nominee (****)

  • Charles Stross: Glasshouse

    Charles Stross: Glasshouse
    Set after the post-Singularity future of the author's other writings, this novel follows a hero who must lose his memory and change his sex to infiltrate a recreated 1950's world that may be central to a plot to set up a dictatorship based on computer viruses. 2007 Hugo Award nominee (*****)

  • Peter Watts: Blindsight

    Peter Watts: Blindsight
    The exploration of a giant alien artifact twists that familiar subgenre with a plausible, though ultimately unconvincing, argument that human self-awareness is a deleterious evolutionary accident. Characters include a vampire, a linguist with multiple personalities, a couple of cyborgs and a narrator whose special skill is absence of empathy. 2007 Hugo Award nominee (****)

  • Naomi Novik: His Majesty's Dragon (Temeraire, Book 1)

    Naomi Novik: His Majesty's Dragon (Temeraire, Book 1)
    Horatio Hornblower in the skies. In a fantasy parallel world exactly like the Europe of the Napoleonic Wars except for the addition of giant dragons, stalwart Englishmen and their draconian companions thwart Bonaparte's foul designs. Fun but lighter than air. 2007 Hugo Award nominee (***)

  • Tim Powers: Three Days to Never: A Novel

    Tim Powers: Three Days to Never: A Novel
    Time travel, ghosts, Albert Einstein's daughter, ancient conspiracies, a blind assassin, a Mossad agent who will die if he hears the telephone ring: With his customary bravura and skill, Tim Powers fashions a coherent and exciting story out of a strange assortment of materials. (*****)

  • Tobias S. Buckell: Crystal Rain

    Tobias S. Buckell: Crystal Rain
    An inventive tale of a human colony isolated from galactic civilization, split between warring cultures and caught up in a vast conflict between alien races. Characters include an amnesiac ex-hero who wants to spend a peaceful retirement with his family, a quasi-human killing machine, a spy desperate to betray his masters, and a harried female dictator. Deserving of Hugo consideration. (****)

  • James Patrick Kelly: Burn

    James Patrick Kelly: Burn
    In a galaxy-spanning future, the planet Walden is a self-proclaimed "paradise" founded on simplicity and rejection of high technology. It also faces the problems of terrorism and disillusion, recounted through the story of a firefighter with a soul-corroding secret. A well-wrought picture of a distinctly odd society, with a plot whose moral dilemmas evade pat answers. Nominated for the Best Novella Hugo Award for 2006. (*****)

  • Rodney Bolt: History Play : The Lives and Afterlife of Christopher Marlowe

    Rodney Bolt: History Play : The Lives and Afterlife of Christopher Marlowe
    A pseudo-history springing from the premise that Shakespeare's flashy predecessor survived the famous Deptford brawl and fled to the continent, where he secretly wrote almost all of the Bard's works. A clever, tongue-in-cheek reworking of literary history, with the bonus of vividly recreating the milieu shared by many real Elizabethan exiles. (****)

  • Robert Ferrigno: Prayers for the Assassin

    Robert Ferrigno: Prayers for the Assassin
    A combination of suspense novel and a plausible vision of America after a Moslem takeover. It loses a star only because defeating the super-villain is just a trifle too easy. Review. (****)

  • Terry Pratchett: Thud!

    Terry Pratchett: Thud!
    After 30 books, one might fear that Discworld is in danger of fatigue. Au contraire, this witty, vigorous tale of the culmination of an ages-old conflict between dwarfs and trolls, with Sam Vimes and Ankh-Morpork in the middle, is one of the strongest volumes yet. (*****)

  • Neil Gaiman: Anansi Boys

    Neil Gaiman: Anansi Boys
    Calling this comic novel a "sequel" to American Gods conveys the wrong impression. Anansi Boys is smaller in scope, funnier and more humane, though it likewise tells a story of dwindling gods adrift in the contemporary world. Anti-hero "Spider" steals the show and begs to be played by Will Smith in the movie version. (*****)

  • Stephen L. Antczak: Daydreams Undertaken

    Stephen L. Antczak: Daydreams Undertaken
    15 SF tales, mostly from "little" magazines, in which weird events affecting weird people are recounted as if they happened every day. This volume may be a high-priced cult item 20 years from now. (****)

  • Connie Willis: Inside Job

    Connie Willis: Inside Job
    The editor of a paranormal-skeptic magazine and his beautiful assistant encounter a most unlikely ghost: ueber-skeptic H. L. Mencken. Connie Willis in her lightest, funniest vein. Nominated for the Best Novella Hugo Award for 2006. (*****)

  • Matthew Pearl: The Dante Club

    Matthew Pearl: The Dante Club
    Literary mystery involving Boston's post-Civil War intellectual elite in a series of atrocious murders inspired by Dante's Divine Comedy. Weak as a whodunit, strong on atmosphere. (****)

  • David Selbourne: The City of Light: The Hidden Journal of the Man Who Entered China Four Years Before Marco Polo

    David Selbourne: The City of Light: The Hidden Journal of the Man Who Entered China Four Years Before Marco Polo
    Supposedly the journal of Jewish merchant who visited China c. 1270, this historical novel uses an encounter between Judaism and medieval China as a springboard for a lightly disguised examination of contemporary political and moral issues. Since Selbourne is a fascinating thinker, his characters' thoughts are fascinating, too. (****)

  • Iain Pears: An Instance of the Fingerpost

    Iain Pears: An Instance of the Fingerpost
    Mystery set in Restoration England. The murder of an Oxford don is recounted from four widely different viewpoints. Heavy on period detail. Metamorphoses into theological fantasy at the end, which may displease some readers. (****)

  • Steven E. Plaut: The Scout

    Steven E. Plaut: The Scout
    Short novel based on the true story of an Arab scout in Israeli service. (****)

  • John Derbyshire: Fire from the Sun

    John Derbyshire: Fire from the Sun
    Three-decker novel about the contrasting, intersecting lives of a Chinese boy and girl, born in the same mainland village and brought to America by force of circumstances. Romantic and compelling. (****)

  • H. N. Turteltaub [Harry Turtledove]: The Sacred Land

    H. N. Turteltaub [Harry Turtledove]: The Sacred Land
    Third volume in a series of seafaring adventures set in the Hellenistic era. Ill-matched merchant cousins Menedemos and Sostratos seek profit in exotic Tyre and Jerusalem. (*****)

  • Robert J. Sawyer: Humans (Neanderthal Parallax, vol. 2)

    Robert J. Sawyer: Humans (Neanderthal Parallax, vol. 2)
    2004 Hugo Award nominee. Middle volume of a trilogy, and it shows. A novelette's worth of plot as man and woman from parallel worlds slowly and predictably fall in love. (***)

  • Terry Pratchett: A Hat Full of Sky

    Terry Pratchett: A Hat Full of Sky
    Ostensible children's book that will also appeal to adults. The education of a young witch — far more "realistic" than Harry Potter. (*****)

  • E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare

    E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare
    This combined novel and treatise traces the history of an imaginary French fortress from the 4th Century B.C. through the Napoleonic Wars, featuring detailed accounts of seven sieges. (****)

  • Lois McMaster Bujold: Paladin of Souls

    Lois McMaster Bujold: Paladin of Souls
    2004 Hugo Award Best Novel. A middle-aged heroine and worked-out imaginary paganism set this book apart from run-of-the-sword medievalesque fantasy. Hinging the plot on the nuances of a made-up theology was less clever. Sequel to The Curse of Chalion, with different characters brought to the foreground. (****)

  • Jasper Fforde: The Well of Lost Plots

    Jasper Fforde: The Well of Lost Plots
    Thursday Next continues her hectic adventures in a universe where books come alive, literally. Newcomers should start with The Eyre Affair (****)

  • H. N. Turteltaub [Harry Turtledove]: Over the Wine-Dark Sea

    H. N. Turteltaub [Harry Turtledove]: Over the Wine-Dark Sea
    First in a series of O'Brian-like nautical adventures set in the tumultuous times following the death of Alexander the Great. The Aubrey and Maturin are merchant cousins, devil-may-care Menedemos and intellectual Sostratos, who roam the Mediterranean looking for profit and girls, while avoiding storms, pirates and jealous husbands. Meandering plot but great fun. (*****)

  • Charles W. Chesnutt: Stories, Novels, and Essays (Library of America, 131)

    Charles W. Chesnutt: Stories, Novels, and Essays (Library of America, 131)
    Fiction and essays by a black American writer who deserves a wider audience. (****)

  • Dan Simmons: Ilium

    Dan Simmons: Ilium
    2004 Hugo Award nominee. The Trojan War, high-tech deities, robots from the outer reaches of the Solar System and an Eloi-like Earth combine in typically weird Simmons fashion. Alas, much waits to be explicated in the sequel. (****)

  • Harry Turtledove: Gunpowder Empire

    Harry Turtledove: Gunpowder Empire
    Debut of a juvenile series set in parallel worlds. 22nd century teen siblings, trapped without adult aid in a besieged city, must cope with the bizarre (to them) customs and prejudices of a never-fallen Roman Empire. [Rating is for 11-17 year olds; adults may find the book too didactic and unsubtle for their tastes.] (*****)

  • Terry Pratchett: Going Postal

    Terry Pratchett: Going Postal
    A small-time con man must choose between death and the Ankh-Morpork post office - and takes the more dangerous option. Big business, fraud, low-tech hacking, young love and general hilarity. Pratchett's best novel since Pyramids. (*****)

  • E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare

    E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare
    This combined novel and treatise traces the history of an imaginary French fortress from the 4th Century B.C. through the Napoleonic Wars, featuring detailed accounts of seven sieges. (****)

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Saturday, July 17, 2004

Journalistic Intelligence Failure

In the middle 1980’s I headed the policy shop at a tiny federal agency dealing with pension law. Our activities were of interest to a few trade publications, one of which carried what I called a “gossip column”, in which it related tidbits, picked up from unidentified persons, about what pension regulators were going to do next. Every month, on the average, one or two items concerned matters about which I had direct, personal knowledge: what positions my agency had formulated on controversial issues, how far work had progressed on particular regulations or what new guidance would appear in the near future. In every single instance, the column’s “inside information” was wrong. I don’t know whether its writers were misled by their sources, misunderstood them or turned their own guesses into “news”, but this experience left me with a skeptical attitude toward press reports based on statements by nameless individuals.

Most consumers of news obviously don’t share my incredulity. If they did, there would be no market for the anonymously told tales that make up a large share of each day’s coverage of important national events. Everyone realizes, in a vague way, that people who make statements off the record could be lying or misinformed, or that the reporters who filter their words might misconstrue them, yet there remains an inclination to believe the written word. For instance,

In February 2002, according to someone present at the meetings, that envoy reported to the CIA and State Department that the information [of a Niger-Iraq uranium deal] was unequivocally wrong and that the documents [purporting to show such a deal] had been forged.

That passage appeared in Nicholas Kristof’s New York Times column on May 6, 2003. Its unsourced assertions are no more spectacular than many others that one sees in newspapers or hears on television every day. It is only because the source soon afterward went public and turned the matter into a cause célèbre that we now know that “someone present at the meetings” and the “envoy” were the same individual, ex-ambassador Joseph Wilson, and that his statements to Mr. Kristof were bold-faced lies: His report to the CIA and the State Department did not show “that the information was unequivocally wrong”; it confirmed that Iraq had, at the very least, sought a deal. Nor did it demonstrate “that the documents had been forged”; neither the envoy nor anyone else in the U.S. government had at that time seen the documents.

This kerfuffle is now very familiar to the blogosphere, but I recommend Matthew Continetti’s “‘A Little Literary Flair’” as further reading, for it analyzes the uncritical way in which Ambassador Wilson’s deceptions were accepted by the media. The whole affair is, in fact, more instructive as a case study in journalists’ credulity than for its bearing on one of the tertiary questions in the controversy about whether it was a good idea to rid the world of Saddam Hussein.

If Joe Wilson, a rather comical figure whose State Department career progressed from supervising the logistics of diplomatic receptions to heading embassies in Third World backwaters to early retirement, could successfully deceive A-list scribes like Nicholas Kristof and Walter Pincus, how much confidence ought readers to have in any report founded on the assertions of unknown parties? Yet, curiously, the general, unconscious tendency is to treat those accounts as more reliable than on-the-record testimony.

This nearly universal credulity – now that I pause to think, I realize that I suffer from it myself – has strange feedback effects. To take another aspect of the Wilson affair: Robert Novak cited unnamed sources for his report that Wilson’s wife, a CIA employee, had recommended that he be sent to Niger to investigate Iraq’s alleged uranium-buying efforts. Why didn’t he tell us which “Administration officials” told him that? At the time he did not know that disclosing the wife’s employment might be illegal. (He isn’t a lawyer, and the CIA had itself both confirmed that she worked for it and failed to warn about possible legal risks in saying so.) The reason for keeping the officials’ names secret was, pretty clearly, to make their claim more believable. Were their identities known, readers would consider whether they really had access to internal CIA deliberations or had political motives for shading the facts. The lack of names somehow leads most of us to bypass that level of critical judgement.

As it happens, Novak’s sources were truthful and accurate, as some anonymous tattletales are bound to be. (My personal experience is surely atypical.) But if reporters simply pulled “facts” out of their heads, some would inevitably correspond to reality. Would we then base our view of the world on such fictions?

Large elements of what most of us believe about a variety of urgent public questions, from the origins of the mistreatment of prisoners at Abu Ghraib to the extent of terrorist recruitment, rests ultimately on sources that may be no more honest than Joe Wilson. That is a “journalistic intelligence failure” of major dimensions with potentially dire consequences. I have no idea how to grapple with it, but continuing to minimize or ignore it endangers us all.

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Recent Books (Non-Fiction)