Recent Books (Fiction)

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    Simon Montefiore: Sashenka: A Novel
    Both grim and funny, this historical novel peers into the inner world of an upper class Russian girl turned loyal Bolshevik, highlighting her youthful fling at revolution-making in Petrograd, her fall from grace under Stalin, and an historian's effort, after the end of communism, to ascertain her fate.

  • Charles L. Harness: Cybele, With Bluebonnets

    Charles L. Harness: Cybele, With Bluebonnets
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  • Tim Powers: On Stranger Tides

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    The classic tale of piracy and the supernatural. What the Pirates of the Caribbean movies should have been. (*****)

  • Harry Turtledove: After the Downfall

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  • Harry Turtledove: The Man with the Iron Heart

    Harry Turtledove: The Man with the Iron Heart
    Can the U.S. maintain its resolve against a defeated enemy's terrorist campaign? Imagining a post-World War II Nazi insurgency, Harry Turtledove puts this question into a new context. As Reinhard von Heydrich's "werewolves" devastate Germany, war-weary Americans call for withdrawal, regardless of the consequences. (*****)

  • Terry Pratchett: Nation

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  • Joe Haldeman: Marsbound

    Joe Haldeman: Marsbound
    Martian colonies are an old subject for SF, and this novel is in some ways an old-fashioned treatment, with the traditional elements of young settler, contact with Martians, and an alien menace. The plot and characters are so well done, however, that the story is fresh. The flavor is Heinleinesque, but the heroine is no Podkayne of Mars. (*****)

  • Neal Stephenson: Anathem

    Neal Stephenson: Anathem
    If you have not a smidgen of interest in how Platonic philosophy relates to the "many worlds" version of quantum mechanics, you still may like this novel, though you'll probably wish that the characters talked less. Persevere. After a slow start, the story grows compelling, and the intellectual dialogues turn out not to be digressions. (*****)

  • Charles Stross: Halting State

    Charles Stross: Halting State
    A bank robbery inside an on-line RPG leads throws a misfit programmer and an introverted forensic accountant into a real life game, international intrigue and each other's arms. May be the first readable novel ever written in the second person singular. 2008 Hugo Award nominee. (****)

  • John Scalzi: The Last Colony

    John Scalzi: The Last Colony
    Space opera in a universe much like a computer game setting. The super-soldiers of Old Man's War and The Ghost Brigades, now retired, find themselves at the focus of a galactic war. Helped by luck, enemy idiocy and aliens ex machina, mankind survives. 2008 Hugo Award nominee. (****)

  • Joe Haldeman: The Accidental Time Machine

    Joe Haldeman: The Accidental Time Machine
    Maybe all the variations on time travel are played out, but Joe Haldeman makes the old tropes enjoyable in this story of a down-on-his-luck grad student who invents a time machine without really trying. The resolution of the ensuing paradoxes comes very near to being credible. (****)

  • Ian McDonald: Brasyl

    Ian McDonald: Brasyl
    Three Brazils - past, present and future - twined together by a multiverse-wide conflict. The heroes are mostly antiheroic, and the milieu is more frenetic than credible, but it's no surprise that this novel is a 2008 Hugo Award nominee. I much preferred River of Gods and the author's other future-India tales. (***)

  • Connie Willis: All Seated on the Ground

    Connie Willis: All Seated on the Ground
    Connie Willis's annual Christmas story; a comedy about alien visitors who act much like annoyed maiden aunts. Making contact is a twin triumph of civility and true love. The story is also a good test of your knowledge of Christmas carols. 2008 Best Novella Hugo Award nominee. (*****)

  • Robert Ferrigno: Sins of the Assassin

    Robert Ferrigno: Sins of the Assassin
    The middle volume of a trilogy about a near-future, Moslem-dominated U.S. Most of the action takes place in the independent "Bible Belt", where resistance to Islamic domination is sometimes heroic and sometimes pathological. More of a pure thriller than its predecessor but good on its own terms (****)

  • Michael Chabon: The Yiddish Policemen's Union

    Michael Chabon: The Yiddish Policemen's Union
    I either mildly like or sharply detest this blend of hard-boiled detective story and alternate history; I'm not sure which. The setting is as grotesque as Gormenghast, the prose is as overwrought as Clark Ashton Smith's, and the hero cop makes Philip Marlowe look like a gentleman. The book oozes atmosphere, but maybe it's a little toxic. 2008 Hugo Award nominee. (***)

  • Mike Resnick: A Club in Montmartre: An Encounter with Henri de Toulouse-Lautrec

    Mike Resnick: A Club in Montmartre: An Encounter with Henri de Toulouse-Lautrec
    Something different from this SF great's facile pen: An historical novel about Toulouse-Lautrec and the creation of his famous Moulin Rouge poster, seen from the point of view of a waif sheltered by the troubled artist. One in a series called Art Encounters, aimed at YA's but instructive and entertaining for anyone. (*****)

  • Connie Willis: D.A.

    Connie Willis: D.A.
    Connie Willis sends up overfamiliar "space academy" stories with this one about the only girl on Earth who has no desire to enroll. Then she is informed that her "application" has been accepted. Is it a weird mistake? A devious plot? Can she get out? Funny, though the moral is rather pat. (*****)

  • Kathleen Ann Goonan: In War Times

    Kathleen Ann Goonan: In War Times
    The author builds this multiple universes story around her father's World War II diary, which is at least as interesting as the energetic, but not wholly coherent, main plot. The ending is a JFK assassination theory with a Ron Paulian(!) twist. Also included is more than I wanted to read about the WWII jazz scene. Overall, a book I would have liked to like better and that others may enjoy vastly. (****)

  • Marie Phillips: Gods Behaving Badly: A Novel

    Marie Phillips: Gods Behaving Badly: A Novel
    Pagan gods lingering, with diminishing powers, into the modern world isn't a new idea, but this tale is a pretty good use of it. The personalities of Artemis, Apollo, Aphrodite et al. are deftly fitted into present day London. The humans in the story, a couple of shy underachievers, are a bit drippy, and the resolution to the gods' difficulties is one that would be highly unpleasant for us mortals. (***)

  • Alfred Duggan: Lord Geoffrey's Fancy

    Alfred Duggan: Lord Geoffrey's Fancy
    Perhaps the finest book of one of England's finest historical novelists. The setting is 13th Century Greece, where Crusaders fought each other and the shattered Byzantine Empire. The history is accurate, the writing graceful and the characters not merely modern people in fancy dress. (*****)

  • Clark Ashton Smith: The White Sybil and Other Stories

    Clark Ashton Smith: The White Sybil and Other Stories
    A slim, representative sampling of Ashton Smith's weird, richly worded fiction. The best pieces are highly readable today; the less good are at least entertaining and will enhance the reader's vocabulary. (****)

  • Robert J. Sawyer: Rollback

    Robert J. Sawyer: Rollback
    Life extension and first contact are the twin themes of Sawyer's latest novel. Intermixed is a good deal of thoughtful, though elementary, philosophical pondering. "Rollback" is a hugely expensive procedure for restoring youth. A benefactor offers it to the world's foremost SETI researcher after an alien culture replies to a message she sent 37 years ago. She will accept the gift only if her husband gets the treatment, too. Then things go wrong. High quality work by a first rate, if slightly didactic, writer. 2008 Hugo Award nominee. (****)

  • Michael Flynn: Eifelheim

    Michael Flynn: Eifelheim
    A double narrative: the appearance of shipwrecked aliens in a 14th Century German village and the 21st Century discovery of the event. The interaction between a brilliant human theologian and rather ordinary denizens of an advanced civilization challenges chronologically based prejudices. 2007 Hugo Award nominee (*****)

  • Vernor Vinge: Rainbows End: A Novel With One Foot In The Future

    Vernor Vinge: Rainbows End: A Novel With One Foot In The Future
    In a near future in which every crank can deploy WMD's that make contemporary Islamofascists look like schoolboys, a poet who has lost his talent and his spunky granddaughter find themselves up against a conspiracy to solve the world's problems by eliminating free will. The careful extrapolation is mixed with some silly ideas and burdened with a sentimental Alzheimer's recovery story. 2007 Hugo Award nominee (****)

  • Charles Stross: Glasshouse

    Charles Stross: Glasshouse
    Set after the post-Singularity future of the author's other writings, this novel follows a hero who must lose his memory and change his sex to infiltrate a recreated 1950's world that may be central to a plot to set up a dictatorship based on computer viruses. 2007 Hugo Award nominee (*****)

  • Peter Watts: Blindsight

    Peter Watts: Blindsight
    The exploration of a giant alien artifact twists that familiar subgenre with a plausible, though ultimately unconvincing, argument that human self-awareness is a deleterious evolutionary accident. Characters include a vampire, a linguist with multiple personalities, a couple of cyborgs and a narrator whose special skill is absence of empathy. 2007 Hugo Award nominee (****)

  • Naomi Novik: His Majesty's Dragon (Temeraire, Book 1)

    Naomi Novik: His Majesty's Dragon (Temeraire, Book 1)
    Horatio Hornblower in the skies. In a fantasy parallel world exactly like the Europe of the Napoleonic Wars except for the addition of giant dragons, stalwart Englishmen and their draconian companions thwart Bonaparte's foul designs. Fun but lighter than air. 2007 Hugo Award nominee (***)

  • Tim Powers: Three Days to Never: A Novel

    Tim Powers: Three Days to Never: A Novel
    Time travel, ghosts, Albert Einstein's daughter, ancient conspiracies, a blind assassin, a Mossad agent who will die if he hears the telephone ring: With his customary bravura and skill, Tim Powers fashions a coherent and exciting story out of a strange assortment of materials. (*****)

  • Tobias S. Buckell: Crystal Rain

    Tobias S. Buckell: Crystal Rain
    An inventive tale of a human colony isolated from galactic civilization, split between warring cultures and caught up in a vast conflict between alien races. Characters include an amnesiac ex-hero who wants to spend a peaceful retirement with his family, a quasi-human killing machine, a spy desperate to betray his masters, and a harried female dictator. Deserving of Hugo consideration. (****)

  • James Patrick Kelly: Burn

    James Patrick Kelly: Burn
    In a galaxy-spanning future, the planet Walden is a self-proclaimed "paradise" founded on simplicity and rejection of high technology. It also faces the problems of terrorism and disillusion, recounted through the story of a firefighter with a soul-corroding secret. A well-wrought picture of a distinctly odd society, with a plot whose moral dilemmas evade pat answers. Nominated for the Best Novella Hugo Award for 2006. (*****)

  • Rodney Bolt: History Play : The Lives and Afterlife of Christopher Marlowe

    Rodney Bolt: History Play : The Lives and Afterlife of Christopher Marlowe
    A pseudo-history springing from the premise that Shakespeare's flashy predecessor survived the famous Deptford brawl and fled to the continent, where he secretly wrote almost all of the Bard's works. A clever, tongue-in-cheek reworking of literary history, with the bonus of vividly recreating the milieu shared by many real Elizabethan exiles. (****)

  • Robert Ferrigno: Prayers for the Assassin

    Robert Ferrigno: Prayers for the Assassin
    A combination of suspense novel and a plausible vision of America after a Moslem takeover. It loses a star only because defeating the super-villain is just a trifle too easy. Review. (****)

  • Terry Pratchett: Thud!

    Terry Pratchett: Thud!
    After 30 books, one might fear that Discworld is in danger of fatigue. Au contraire, this witty, vigorous tale of the culmination of an ages-old conflict between dwarfs and trolls, with Sam Vimes and Ankh-Morpork in the middle, is one of the strongest volumes yet. (*****)

  • Neil Gaiman: Anansi Boys

    Neil Gaiman: Anansi Boys
    Calling this comic novel a "sequel" to American Gods conveys the wrong impression. Anansi Boys is smaller in scope, funnier and more humane, though it likewise tells a story of dwindling gods adrift in the contemporary world. Anti-hero "Spider" steals the show and begs to be played by Will Smith in the movie version. (*****)

  • Stephen L. Antczak: Daydreams Undertaken

    Stephen L. Antczak: Daydreams Undertaken
    15 SF tales, mostly from "little" magazines, in which weird events affecting weird people are recounted as if they happened every day. This volume may be a high-priced cult item 20 years from now. (****)

  • Connie Willis: Inside Job

    Connie Willis: Inside Job
    The editor of a paranormal-skeptic magazine and his beautiful assistant encounter a most unlikely ghost: ueber-skeptic H. L. Mencken. Connie Willis in her lightest, funniest vein. Nominated for the Best Novella Hugo Award for 2006. (*****)

  • Matthew Pearl: The Dante Club

    Matthew Pearl: The Dante Club
    Literary mystery involving Boston's post-Civil War intellectual elite in a series of atrocious murders inspired by Dante's Divine Comedy. Weak as a whodunit, strong on atmosphere. (****)

  • David Selbourne: The City of Light: The Hidden Journal of the Man Who Entered China Four Years Before Marco Polo

    David Selbourne: The City of Light: The Hidden Journal of the Man Who Entered China Four Years Before Marco Polo
    Supposedly the journal of Jewish merchant who visited China c. 1270, this historical novel uses an encounter between Judaism and medieval China as a springboard for a lightly disguised examination of contemporary political and moral issues. Since Selbourne is a fascinating thinker, his characters' thoughts are fascinating, too. (****)

  • Iain Pears: An Instance of the Fingerpost

    Iain Pears: An Instance of the Fingerpost
    Mystery set in Restoration England. The murder of an Oxford don is recounted from four widely different viewpoints. Heavy on period detail. Metamorphoses into theological fantasy at the end, which may displease some readers. (****)

  • Steven E. Plaut: The Scout

    Steven E. Plaut: The Scout
    Short novel based on the true story of an Arab scout in Israeli service. (****)

  • John Derbyshire: Fire from the Sun

    John Derbyshire: Fire from the Sun
    Three-decker novel about the contrasting, intersecting lives of a Chinese boy and girl, born in the same mainland village and brought to America by force of circumstances. Romantic and compelling. (****)

  • H. N. Turteltaub [Harry Turtledove]: The Sacred Land

    H. N. Turteltaub [Harry Turtledove]: The Sacred Land
    Third volume in a series of seafaring adventures set in the Hellenistic era. Ill-matched merchant cousins Menedemos and Sostratos seek profit in exotic Tyre and Jerusalem. (*****)

  • Robert J. Sawyer: Humans (Neanderthal Parallax, vol. 2)

    Robert J. Sawyer: Humans (Neanderthal Parallax, vol. 2)
    2004 Hugo Award nominee. Middle volume of a trilogy, and it shows. A novelette's worth of plot as man and woman from parallel worlds slowly and predictably fall in love. (***)

  • Terry Pratchett: A Hat Full of Sky

    Terry Pratchett: A Hat Full of Sky
    Ostensible children's book that will also appeal to adults. The education of a young witch — far more "realistic" than Harry Potter. (*****)

  • E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare

    E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare
    This combined novel and treatise traces the history of an imaginary French fortress from the 4th Century B.C. through the Napoleonic Wars, featuring detailed accounts of seven sieges. (****)

  • Lois McMaster Bujold: Paladin of Souls

    Lois McMaster Bujold: Paladin of Souls
    2004 Hugo Award Best Novel. A middle-aged heroine and worked-out imaginary paganism set this book apart from run-of-the-sword medievalesque fantasy. Hinging the plot on the nuances of a made-up theology was less clever. Sequel to The Curse of Chalion, with different characters brought to the foreground. (****)

  • Jasper Fforde: The Well of Lost Plots

    Jasper Fforde: The Well of Lost Plots
    Thursday Next continues her hectic adventures in a universe where books come alive, literally. Newcomers should start with The Eyre Affair (****)

  • H. N. Turteltaub [Harry Turtledove]: Over the Wine-Dark Sea

    H. N. Turteltaub [Harry Turtledove]: Over the Wine-Dark Sea
    First in a series of O'Brian-like nautical adventures set in the tumultuous times following the death of Alexander the Great. The Aubrey and Maturin are merchant cousins, devil-may-care Menedemos and intellectual Sostratos, who roam the Mediterranean looking for profit and girls, while avoiding storms, pirates and jealous husbands. Meandering plot but great fun. (*****)

  • Charles W. Chesnutt: Stories, Novels, and Essays (Library of America, 131)

    Charles W. Chesnutt: Stories, Novels, and Essays (Library of America, 131)
    Fiction and essays by a black American writer who deserves a wider audience. (****)

  • Dan Simmons: Ilium

    Dan Simmons: Ilium
    2004 Hugo Award nominee. The Trojan War, high-tech deities, robots from the outer reaches of the Solar System and an Eloi-like Earth combine in typically weird Simmons fashion. Alas, much waits to be explicated in the sequel. (****)

  • Harry Turtledove: Gunpowder Empire

    Harry Turtledove: Gunpowder Empire
    Debut of a juvenile series set in parallel worlds. 22nd century teen siblings, trapped without adult aid in a besieged city, must cope with the bizarre (to them) customs and prejudices of a never-fallen Roman Empire. [Rating is for 11-17 year olds; adults may find the book too didactic and unsubtle for their tastes.] (*****)

  • Terry Pratchett: Going Postal

    Terry Pratchett: Going Postal
    A small-time con man must choose between death and the Ankh-Morpork post office - and takes the more dangerous option. Big business, fraud, low-tech hacking, young love and general hilarity. Pratchett's best novel since Pyramids. (*****)

  • E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare

    E. Viollet-Le-Duc: Annals of a Fortress: Twenty-Two Centuries of Siege Warfare
    This combined novel and treatise traces the history of an imaginary French fortress from the 4th Century B.C. through the Napoleonic Wars, featuring detailed accounts of seven sieges. (****)

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Sunday, March 19, 2006

Where’s Judas?

Last Sunday the Daily Mail, a British tabloid with a circulation that makes American newspapers envious, ran a long article [sorry, I don’t have a link] on a “Gospel of Judas”, which the National Geographic Society will unveil to the world in early April. Since then, a majority of the visits to this site have stemmed from Google searches for information about this document, which I discussed briefly in the past (7/11/04 and 1/5/06). National Geographic, which will be pushing television specials and books just in time for the Easter viewing and shopping season, is to be commended on its marketing acumen. On the other hand, no one will ever again be able to regard it as a serious scholarly enterprise. It has sold its birthright for a mess of pottage (or perhaps, worse yet, for a pot of New Age message).

The new “gospel” is a 4th or 5th Century Coptic manuscript, discovered in Egypt in the 1970’s and sold to a dealer in illicit antiquities, from whom it made its way circuitously into the hands of a Swiss foundation. The Swiss formed a joint venture with the National Geographic Society to translate and, more important, exploit the economic potential of the work. The Mail quotes James M. Robinson, eminent for his studies of early gnosticism:

National Geographic acquired these rights after the Swiss owners of the manuscript finally realised they could not sell the actual object because it had been illegally smuggled out of Egypt.
National Geographic took the bait because they saw an opportunity to cause a sensation by coming out right around Easter and right before the Da Vinci Code movie with something that the pre-publicity implies is a new gospel from the New Testament, when in fact it is a copy of a book originally written well over 100 years after the death of Christ.

From the bits that have been leaked so far, it is a reasonable guess that “Judas” is a work described by St. Irenaeus in his Refutation of All Heresies (c. 180 A.D.). If so, its discovery is of considerable interest to specialists in early Christianity. It appears to emanate from one of the many groups that welded the person of Jesus to fantastical cosmological ideas. Most of what we know about them comes from their orthodox opponents, such as Irenaeus. An account of their doctrines from the inside is a valuable addition to historical knowledge.

Once upon a time, the National Geographic Society would have been content with that, but a sober account of a 2nd Century pseudepigraphion wouldn’t make much money (just as Professor Robinson’s forthcoming study is unlikely to be a best seller). Hence, “Judas” has been tarted up and made to look like a harlot who, in the word’s of the Mail headline writer, “could threaten the very basis of Christian teaching”.

Well, no. We already knew that some early semi-Christians taught that Judas was the hero of the Gospel story, carrying out his betrayal at Christ’s behest. Related sects went further, making the serpent in the Garden of Eden the servant of the True God, conceived as the enemy of the lesser deity who created the material world and was worshiped by the Jews. These concepts weren’t credible in the 2nd Century, which is why they died out, and gain nothing merely because one of their proponents’ compositions has survived to the present day.

It will be interesting, for those of us who are interested in such matters, to learn how the writer of the “Gospel of Judas” perceived the cosmos and where his teachings fit into the fragmentary skein of gnostic and early heretical ideas. Conceivably, there is information that will shed light on the strains of primitive Christianity ancestral to the Church of today. Therefore, I’m glad that these 26 pages of Coptic have belatedly come to light. Nonetheless, one is tempted to say that, by subordinating scholarship to opportunistic money making and giving the public a distorted picture of what it has found, both the owners of the manuscript and the National Geographic Society have played a role in relation to the “Gospel of Judas” not unanalogous to that of the real Judas in relation to Our Lord.

Update (4/8/06): The text of the new “gospel” has now been made public. FWIW, you can read my initial analysis here.

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Re: the last posts --
The items that were bolded were supposed to be hyperlinks: they were going to the text of the Gospel of Judas.
http://www9.nationalgeographic.com/lostgospel/_pdf/GospelofJudas.pdf
Read it for a good laugh!

Hey, Scholar of Classics!
Speaking of "ideas not being destroyed completely": how about a religion whose members were imprisoned, tortured, thrown to lions, soaked in tar and lit as human torches...a religion whose books were burned and confiscated, a religion which was illegal for 260 years (52-312 AD), and yet still survived?
How about the thousands of people over the past 2,000 years who have gladly sacrificed their lives for the belief that Jesus Christ was and is both God and Man, who died and rose again?
Or how about the Catholic Church? You know, that thing that's been around for 2,000 plus years, making it by far the longest-lived human institution in history?
How about the Shroud of Turin? Or the image of Guadalope? Or the thousands of other miracles that you can look up just by googling "miracles, scientic evidence." If you can prove by scientific evidence that all these miracles are false, then maybe I'll start taking you seriously.

Who cares there's some similarities between Christianity and Paganism? How, exactly, does that prove or even insinuate that Christianity is false? Use logic, please; that would be helpful to me and other poor ignorant benighted Roman Catholics like me. Oh, but here's an idea: Maybe, just maybe, Mithraic religions, and gnosticism, are similar to Christianity!! Maybe Christianity came first? Have you thought of that possibility?

But just so you know the facts about the "Gospel of Judas". It was written no earlier than 130 AD, which would be about 100 years after Jesus died (and rose from the dead, but you probably don't believe that.) It claims to be a "secret account of the revelation that Jesus spoke in conversation with Judas Iscariot during a week three days before he celebrated passover. In it, Jesus mocks the diciples for the worship of "their god," which I assume is Yahweh, the God that the Jews worshipped. Then this Jesus rambles on for pages and pages about "luminaries" and "chaos" and other typical gnostic gobbledegook. Uh huh. Okay. And of course, we should just trust this one document over all the other documents. We should take this document's word that Jesus, a faithful Jew and a rabbi, would mock other Jews for worshiping Yahweh. We shouldn't be skeptical about the Gospel of Judas. But we SHOULD be skeptical about Matthew, Mark, Luke and John, which were written a lot sooner to the actual events.

How is the "Gospel of Judas" more "real history" than the real Gospels? Do tell me, Scholar of Classics! Enlighten me, Don Joe! Share your secret wisdom to the masses, O Shining Lights of Logic and Reason!

Your outright discounting and dismissal before you have any actual knowledge of something is actually exactly what I've come to expect from your brand of Biblical "scholars". Why even bother writing about something of which you have almost no knowledge? You're clearly content to kick back in your cave and gaze upon the projections of shadows on the wall that were created by the authors of books who wished to label such things as "heresies".

Forget not that all Christianity started as what scholars refer to as a "mystery cult". It was terribly common in such cults of Roman and Greek origin to have death-resurrection motifs, transubstantiation, acts of symbolic cannibalism, and generalized mysticism and miracles. Whenever you dismiss the mystery gospels used by Gnostic heretics in early centuries as "...weld(ing) Jesus to fantastical cosmological ideas", you also discount almost your entire canon that was also read by them and has fantastical notions such as transubstantiation/transmutation, elements of a Mithraic sacrifice, a Pentacost, and an Apocalypse ("revealing of something hidden") of John.

A remotely objective history of Jesus Christ was lost long ago, and it will likely never be realized. The Roman Catholics won the battle between Christian mystery cults and rose to the top. However, the texts of the losing sects have somehow "miraculously" survived and escaped the purges and book burnings to a time when those who have delusions that they alone possess the entire and only Truth are powerless to snatch them from scholars and destroy them. Those texts shall now haunt you and plant the seeds of doubt, but when you get right down to it, it was not up to a council of men in ancient times to censor your path to knowing God...it is up to you to read every word attributed to an avatar of God, and to make a judgement based on your understanding and whatever divine insights you may receive.

It all goes to show that violent purges and book burnings, no matter how powerful the force behind them, cannot destroy an idea completely. In the end, if you choose to remain ignorant and blissful, you alone will answer for that. Just as "heretics" are also responsible for their beliefs. No free rides to enlightenment or salvation, here!

What of the synoptic gospels and _their_ heretical departure from true history?

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