This installment is late enough that I can’t even fantasize that it might influence anybody. Nonetheless, I’ll rank the novelette nominees for the sake of clarifying my own thoughts.
1. “The Calorie Man” by Paolo Bacigalupi shares one characteristic with “The People of Sand and Slag”, his 2005 Hugo nominee: Both are set in bizarre ecologies that must be accepted as premises through vigorous, though not impossible, suspension of disbelief. Last year’s was a poisoned world where life could survive only by means of extreme bioengineering. Biological tinkering underlies “The Calorie Man”, too, though the world portrayed here is far less grim, and the story ends optimistically.
Very briefly, this not-too-distant future has almost no fossil fuels, and all of its edible plants have been wiped out by a mysterious plague. Energy comes from human and animal labor, nourishment from the genetically modified, patented crops of a few mammoth corporations, which paranoically guard their intellectual property.
Quite a few themes are present that could lead to an abundance of sermonizing. Happily, preaching is firmly subordinated to a well-wrought picture of the technology and social relationships that such an environment might foster. It’s remarkable how much one can do with muscle power, treadmills and springs. The scientist whose rescue is the centerpiece of the plot pedals his laptop computer.
After I decided to give the nod to this candidate (by a thin margin over the runner-up), my copy of Gardner Dozois’ Year’s Best anthology for 2005 arrived. “The Calorie Man” is the only Best Novelette nominee that Mr. Dozois selected. Evidence that the fellow has good judgment, I’d say.
2. “Two Hearts” by Peter S. Beagle is a sequel (or, more exactly, a coda) to The Last Unicorn (1968), a classic of modern fantasy whose succès d’estime didn’t encourage the author to stick with an ill-paying genre. Only in recent years has he returned. “Two Hearts” isn’t up to the standard of its predecessor (what is?): less inventive and more predictable in its use of fantasy archetypes. When Schmendrick and Molly Grue see Lir – no longer a young hero but an aged king – for the first time in decades, the reader will instantly think of Théoden of Rohan. Still, “less inventive” doesn’t mean stereotyped. Lir’s decrepitude has its own cause and cure, which are linked to the problem, a griffin ravaging a remote village, that sets the plot into motion.
A good deal of the story’s charm is imparted by the risky device of employing a nine-year-old girl (“Almost ten!”) as the narrator. She could be cute and cloying, but isn’t. It may be, of course, that I liked her because she resembles my slightly younger great-niece Sophia, who possesses a similarly imperious determination and fearlessness of adults.
A blurb accompanying the story in F&SF indicates that it is the transition to a novel, and the last couple of pages make it clear that we will see more of the heroine, whom Schmendrick and Molly have instructed to wait till her seventeenth birthday, then whistle a particular tune. We aren’t told what the notes will summon. On the strength of this prelude, I’m eager to find out.
3. “I, Robot” by Cory Doctorow, like “The Calorie Man”, touches on issues of great importance. The two stories would, in fact, be siblings if Mr. Bacigalupi had given in to the urge to preach.
In an afterword, the author declares that this is the first of a series of stories that will borrow titles of famous SF works and “expose their totalitarian premises”. The “totalitarian premise” of Isaac Asimov’s robot yarns is, one infers, the Three Laws of Robotics (presumably a stand-in, in the author’s mind, for all restrictions on cutting edge scientific research). A society that enforces the Three Laws will, we are told (in a very loud voice), be ruthless, backward and oppressive. Contrariwise, one that frees itself from such constraints will blossom into a wealthy, high-tech, humanitarian paradise.
The plot relentlessly pushes the reader to recognize this truth. Unfortunately for its coherence, events contradict the party line. We discover that the despicable Three-Laws enforcers in fact carry out unfettered research in secret – and all that it does is give them more effective weaponry. I sympathize a great deal with Mr. Doctorow’s libertarian impulses, but he forgets that tools don’t make the man; it’s the other way round.
If only the homily could be cut out, what remains would be a gritty, rather sobering picture of a society that has sharply demoted privacy and devalued human skills. It’s a pity that there’s so much scribbling all over the canvas.
4. “The King of Where-I-Go” by Howard Waldrop is a time travel vignette so loaded with nostalgia and local color that it never comes to a point. Events occur, quite peculiar events. They happen to an interestingly quirky protagonist. But I am at a loss to figure out how they connect with one another. Unless I missed a huge clue (not at all impossible), this is the first story ever in which going into the past and not changing a thing alters the future. Well, that could be a profound statement about the nature of causation and time, but I don’t get it.
5. “TelePresence” by Michael Burstein takes the faults of “I, Robot” and squares them. Maybe virtual reality technology will be the savior of the nation’s educational system, but isn’t an advertising campaign in its behalf, complete with “VR changed my life” endorsements, premature?
Interspersed with the commercials is a promising but imperfectly executed mystery story. Two students in a VR high school drop dead during their lessons. Good puzzles could spring therefrom. Did the simulations kill them? If so, how? But those questions are answered instantly, ignoring all explanations except murder. (Has Mr. Burstein never heard of cocaine overdoses?) All that is left is tracking down the murderer. His motive proves to be uninteresting (the other kids made fun of him), and the chase is indistinguishable from magic. Clarke’s Law is not, alas, an ideal guideline for writers.
Sorry to sound grumpy, but the SF novelette has enjoyed better years.
P.S.: The House of Representatives passed a major pension bill last night, so this blog will have to be neglected until I finish my share of the Deloitte & Touche booklet on its provisions. My picks for the rest of the Hugo categories may or may not appear before the voting deadline (which is, BTW, midnight Pacific time on Monday, July 31st).