This year’s World Science Fiction Convention is experimenting with a Hugo Award for Best Graphic Novel (as in story-with-pictures, not sex-and-violence). An amendment to the WSFS Constitution making it a permanent category passed its first reading last year. Presumably it will be adopted if this year’s voters show sufficient interest in making nominations.
To say that my knowledge of this byway of science fiction is feeble would be a gross overstatement. Luckily, my nephew Bryan knows all about it, so I asked him for worthy candidates. Here is his list, which I transmit in his unedited words:
- Runaways: Dead End Kids by Joss Whedon – The Runaways has been an interesting story from the beginning (a group of super-human orphans band together after their criminal parents are all killed), but Joss Whedon expertly weaves these characters through their minor roles in the Marvel superhero universe during the troubling era of the super-human registration act enacted by the United States. Fantastic characters.
- Joker by Brian Azzarello – I’m not sure this makes the “sci-fi” cut as it’s a Batman story (and Bruce Wayne is quite sans super powers), but Azzarello has easily written one of the best novels of 2008 in his portrait of the Joker through the eyes of some no-name criminal who befriends the madman.
- Y: The Last Man, Vol. 10: Whys and Wherefores by Brian Vaughan – I don’t think they released a graphic novel that incorporated all 10 volumes, and this is the only one of the 10 that was released in 2008, but it’s a more than worthy series. The story follows a young man named Yorick, who discovers one day that he is the last male on earth. He begins on a quest to find his lost girlfriend, but gets distracted along the way as society begins to unravel at the mystery and pain of the loss of every other man. Really a unique story if I’ve ever heard one and a great read as well coming from Brian Vaughan.
- Civil War by Mark Millar – I know it's more of a collection, but I think it might still count for 2008. The Marvel Comics universe is torn in two as superheroes and villains alike divide into camps both for and against the superhero registration act passed by Congress. It might seem strange coming from Marvel superheroes, but this is a great political series about the rights to privacy versus the need to keep everyone safe no matter what the cost. And all because one measly supervillain blew up most of a city killing hundreds... Who knew comics could be so relevant?
Those look rather interesting. Who woulda thunk comic books had come so far?
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